Eric Veschi is an artist who evolves into different territories whose porosities make sense. Anchored in his era, his artistic tracking begins with the photography with which he built his gaze on the world, where the bodies and decors come into play in order to ask questions.

Quickly he went to digital, becoming a retoucher of images. In parallel, his work on the image drags him towards the work of the scene, moving from the black box to the scenic box. Feeling the need to confront himself the stakes of the game.

During the conquest of this new territory, he meets people who make him want to explore some scenic practices, such as the mime beside of Ella Jaroszewicz, passing from student to actor then become his assistant. Fencing art beside Bob Heddle-Roboth fencing Master at the school of Chaillot as well of Marcel Marceau. Theater beside Oscar Sisto and Pascal Seguin.As well as Claude Buchvald, that he met during some seminars university dedicated to the technique of staging through the prism of Novarina.

At the same time, he co-wrote with Josselin Azorin-Lara two volumes of a comic strip about Hip-Hop dance, in a spirit of connection to his artistic life.

The spirit of connection which urges him to resume his university studies, in order to question the theater in his history, in his present, in order to nourish his practices.