The body of the actor is for me a scenic space in motion that comes to convoke the author, the text, the characters. It convoke also a space time, that reproduces evening after night without ever being a reproduction. For, as Valere Novarina puts it, the text is food for the actor in which the latter, not only with his voice, but also with his whole body, has a duty to wake-up "this old printed corpse" and to make that each day, the character re-emerge  as the first day.

 

         A text is alive only because it is read, said, shouted, howled, chewed, and recast in every corner of the body.

A text is alive only because at a given moment It will make sense and hit where it is least expected.

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• Enjoyment of the accompaniment.

• Pleasure of sharing, listening.

• Work on the text.

• Work on the body using the Mime.

• Initiation to the artistic fencing.

• Help with staging.

• Outside look.

 

          mainly based on Paris, I can move to give workshops throughout France and much further.

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