The Theater is an emancipatory tool, emancipation of body, of thought. It connects the past with the present, the public with the living bodies of the actors. He plays with death by making revive the words of authors, of vanished characters. It is a place where the space of an instant the life recreates itself. An implacable mirror of ourselves, it never ceases to question our societies and therefore to question us.

       The actor is a being in constant search, he is in desire of new experiences, in desire to improve his play, to be ready when the time to play comes.

• Listening the text to restore it in all its dimensions.

• Vectorization of the gaze to make the imaginary palpable.

• Breath the text to find the nuances.

      To make his internal physical and emotional machine respond to the solicitations of the text, that each sentence uttered be filled with truth, sincerity, unconstructed emotions. Slip from one emotion to another by playing on his emotional lift.

     The actor must breathe the text, for it must not build it but feel it in the depths of its being. He carries it in a straight line like an arrow in the theater of Novarina. He supports it, lengthens certain words, creates suspensions and ruptures  as in Koltes theater. It fills the silences.

It is this crossing that I propose to you, do not hesitate to contact me.