My fencing Master Robert Heddle-Roboth whom I had the chance to know for nearly 13 years, was the fencing master of Marcel Marceau, of the school of the Théâtre de Chaillot and the European Academy of Corporeal Theater - Studio Magenia Ella Jaroszewicz. After his death, I continue my practice with his Assistant Frédéric Trin, while sharing myself this knowledge.

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      The art of fencing, is another way to apprehend the contact with his body and the stage space.

 

       It also helps to be listening to his partner, of the rhythms of each one.

 

     It is a choreographic work aimed at the beauty of the gesture, drawing its sources in ancient fencing duels. But it also aims at safety since improvisation has no place in it.

 

      Through artistic fencing, I invite you to explore your bodily potential that will go beyond the field of fencing to invest it other artistics fields.

 

      My work aims at the porosity principle, so that it is useful to you in other artistic fields.

      By the balance, the consciousness of its game partners, the rhythm of the parries ripostes which are the dialogues of simulated combat.

 

 To work his own body is to open up other possibilities.